Collective Conscience
We honor the truth, however difficult it may be to face. Our work does not offer easy answers — it offers honest questions posed to an audience willing to sit with discomfort.
We investigate the process of performance creation and aim to develop new modalities to achieve it — pushing beyond conventional theatrical forms into territory that hasn't been mapped yet.
We value risk-taking to challenge audiences' perception of performance. The uncomfortable moment is where the real work begins. Safety is for warehouses, not stages.
We utilize all elements of theatrical storytelling dynamically — sound, body, space, light, and silence are equally weighted instruments. No hierarchy of form.
A script written for the devised process. A group committed to the making. Our first showing went up at Non-Plus Ultra, and the audience is asking for the whole thing.
Come back here for updates as the work develops.
Utilizing the structure of Maurice Ravel's Bolero, the forms of Anne Adam's painting "Unraveling Bolero," and the aesthetics of Bowerbird mating rituals — Misster Blue was conceived as a journey of self-realization.
Accompanied by sound created then distorted from an audio recording of a poem, the audience is invited to take a dharmic journey of repeated loop structures that eventually give way to discover a beauty in the repetition as each moment passes.

Robert "Bobcat" Augustine is a devised theatre maker. After graduating from Portland State University and training at PETE's Institute of Contemporary Performance, he devised two full-length productions in The Viewpoints, Suzuki Method, and Clown. He went on to live in a camper and travel the US sharing clown and theatre in untraditional spaces — from Nevada City camps to a circus school in Battambang, Cambodia, where he translated The Viewpoints into Khmer. Also trained with South Coast Repertory, Del'Arte International, The Red Bastard, and The Actor's Gang.

CalArts MFA (2018–2023). Performed at REDCAT, Elysian Theater, Will Geer's Theatricum Botanicum, Highways Performance Space, The Bardo, The Illusion Magic Lounge, and PDA Space. Wrote and directed her solo piece Dance, Monkey, Dance. Trained in Grotowski with Experience Cult Research Group and at the official assembly in NYC. Ongoing study in Viewpoints, Butoh, Clown, and Deep Listening through Pauline Oliveros' Institute. Also sings in a band called Super Hit.
Ensemble member of Imaginarium Theatre Works and part of the devising team behind the company's current work-in-progress. Performed in the first showing of A Play or Something…. at Non-Plus Ultra, Los Angeles.
Placeholder photo — real image coming soon